Welcome to our blog!
It's better than a bat in the eye with a burnt stick!
This blog makes liberal use of AB's journals, letters, travel notes, and other sources.
And make sure to visit The Arnold Bennett Society for expert information and comment on all aspects of the life and work of AB.
Friday, 5 February 2016
I just managed to get to the end of "The Difference Engine" but it was a close run thing. I nearly gave up with only about thirty pages left to read, which would have been a record for me I think. This was a novel which started well and went downhill; steeply downhill as it got towards the end. I had been drawn to it, having read "Neuromancer", by the author's name, and also by its reputation as a 'cyberpunk' novel - sounded fascinating. Additionally it was labelled as an 'SF Masterwork'. The fact that it was a collaboration with someone else (Bruce Sterling) should have rung alarm bells - in my experience when a well-known author collaborates it seems to be a case that he has run out of ideas and is lending his name to someone else whose book it is in fact. But maybe I am wrong.
Anyway, I liked the premise of this book - an alternative history of Victorian England - and the introductory female character seemed interesting, but she soon disappeared to be replaced by a series of two dimensional characters who failed to gain my enthusiasm. It seemed to me that the authors had researched the Victorian period in a fairly superficial way and had thrown into their melting pot every personality and situation they could think of, then mixed it all up and finally worked a story in. Obviously I didn't expect it to be convincing in the sense that a contemporary novel would be, but fewer ingredients and more attention to development would have been good. As for the sex scenes!! I seem to recall from "Neuromancer" that Gibson alluded successfully to sex without actually getting into gory detail, and succeeded admirably by doing so. I can only assume that it was the work of the collaborator that gave us these rather crass interludes.
So, for me an opportunity missed and a great disappointment. Not that I have given up on Gibson, but I shall avoid any further collaborations.