Tuesday, November 5th., 14, St Simon's Avenue, Putney, London.
Yesterday, after having written about 6,000 words of my new novel, which I think I will entitle "The Price of Love", I decided to begin it again. I felt it needed to be done in a different 'key', but with exactly the same construction. And I did begin it again and at once felt easier in my mind.I also decided that I would not make a fine manuscript of it, as I did with the O.W.T. The regularity of the lines and handwriting does not seem to accord with the style in which this novel is to be written. A freer style than before - a little more capricious and swinging. Though the novel has an overall gloomy and pessimistic cast.
We are staying here whilst waiting to occupy our new country house in Essex, which will not be until January. The rooms of this house are dry, arid, ugly and as frigid as an old maid, but well enough for our temporary purpose. Much better now that Marguerite is with me. She was in Paris for some time and I was surprised by how much I missed her, physically I mean. She has taken a hold on me which is very unusual given my character. I told her in a letter that I should have a little tart to comfort me when she is away, and it seems the idea had a stimulating effect. On the day she arrived from Paris we were due to go to the theatre with the Sharpes but I made an excuse and we spent the evening much more enjoyably. As we are comfortably off at present I encouraged her to buy new undergarments and pretty things in Paris which I admired as she modelled them for me, and felt obliged to help her remove. Her body is a joy to me. I am a happy man at present.
I had to interrupt the work last week to do an article of reminiscences for the Metropolitan and the Strand, and again on Sunday to review Allan Monkhouse's new novel "Dying Fires" for the Manchester Guardian. This last is a good book. Also, I have begun to order a new library of music, through Sharpe, and the first noble batch of stuff came today. More in few days. Another symptom of my present affluence.
No comments:
Post a Comment