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Showing posts with label Romer Wilson. Show all posts
Showing posts with label Romer Wilson. Show all posts

Sunday, 9 March 2014

Authenticity

Wednesday, March 9th., Cadogan Square, London.

This morning before noon I finished reading what I had done of "Accident" and I decidedly liked it. It seemed to me to be sound and interesting; of course old-fashioned - at least I suppose so.

Then I walked up to the Reform, and got there early. I lunched with Page, Gardiner, Roch and two others. Discussion of Churchill's book. Everyone praised it as a tour de force, but said it was by no means always honest, and certainly wasn't history, inasmuch as it was obviously written to prove that Churchill had been right throughout the war. Personally, I think it is a bit better than that. I regard it as a remarkable achievement. 

As First Lord of the Admiralty and Minister for War and Air, Churchill stood resolute at the centre of international affairs. In this classic account, he dramatically details how the tides of despair and triumph flowed and ebbed as the political and military leaders of the time navigated the dangerous currents of world conflict. Churchill vividly recounts the major campaigns that shaped the war: the furious attacks of the Marne, the naval manoeuvres off Jutland, Verdun's "soul-stirring frenzy," and the surprising victory of Chemins des Dames. Here, too, he re-creates the dawn of modern warfare: the buzz of airplanes overhead, trench combat, artillery thunder, and the threat of chemical warfare. In Churchill's inimitable voice we hear how "the war to end all wars" instead gave birth to every war that would follow. Written with unprecedented flair and knowledge of the events, The World Crisis remains the single greatest history of World War I, essential reading for anyone who wishes to understand the twentieth century.

I came home by bus and slept. I felt gloomy. I hadn't really begun to get my ideas in order for proceeding with my novel. Then I read the newest fiction. Priestley's "Adam in Moonshine" and Romer Wilson's "latter Day Symphony", and I at once wrote paragraphs about them to go into a future Standard article. Poor and pretentious stuff, I thought. Nothing original in them. But Elizabeth Madox Roberts's "The Time of Man" (American - sent to me by Doran) seems to me to be pretty good authentic fiction. A very different affair from the other two.

Sunday, 24 March 2013

Absolute Five Towns

Friday, March 24th., Comarques, Thorpe-le-Soken.

London yesterday. Pamela McKenna handed over a book which Birrell had given me in exchange for "The Golden Remains of the Ever Memorable John Hales", which he bought from me about 24 years ago when I was doing a few experiments in bookselling - and never paid for.

Pamela Jekyll (1889–1943), younger daughter of Sir Herbert Jekyll, was a friend of Herbert and Margot Asquith, and one of several young women with whom Herbert Asquith carried on a platonic flirtation. Pamela's relationship with the Asquiths, especially the prime minister, drew her husband Reginald McKenna into their social circle and enhanced his political status.

In my Evening Standard article this week I have had some fun writing about "Latter-day Symphony" by Romer Wilson. I have been told, frequently, that she wrote a superlative novel, "The Death of Society". I hope it isn't like the "Latter-day Symphony" in either style or matter. A specimen of the writing: "Lord Edward handed him a beautiful glass of clouded yellow wine. A cherry and a small purple strawberry knocked their heads together in it." Now that sort of facile fancifulness irritates me, or would irritate me were I not a philosopher. I could teach even a member of the British Academy to write like that. "Latter-day Symphony" is about a Chelsea crowd of drunken fornicators. I don't in the least mind novelists writing about drunken fornicators, who certainly ought to be written about. But I recognise no human nature in the book. One of the heroes says to the heroine: "A flame shot through my flesh when you touched me. It was exquisite, but I can't endure that without rapture." Now, I have lived much in and around Chelsea, but I have never met any drunken fornicator who ever talked so, and I don't believe that any human being ever talked so, except for fun or because he was an incurable ass.

Romer Wilson (1891-1930). During a brief writing career (almost entirely limited to the 1920s) Romer Wilson wrote produced novels, two novellas, a play, a biography, and a posthumously published collection of short stories. She compiled and edited three volumes of fairy tales from around the world. Her novels, highly philosophical and sometimes lyrically overblown, treat the existential and epistemological dilemmas facing postwar Europe. Many of her protagonists are artists or philosophers struggling to achieve or understand perfection in a world riven with suffering and imperfection. She often explores the impact of love and the effects on society of war or of mechanisation, in fiction which suggests a longing for a pre-industrial pastoral past.

On Wednesday night a Welsh vet. officer came here to sleep. Very provincial and polite and talkative. All about Lloyd George and N. Wales and Stanley Weyman. Just like middle-class provincials in Potteries, except for accent. Speaking of billeting in Manningtree, he said the billetees had to cook for soldiers, while not finding the food. "Now many of them didn't like it," he said with sympathy and conviction, as middle class speaking of and understanding middle class. It was absolute Five Towns. No member of upper middle class would have said it like that. A member of upper middle class might have laughed, or said it indulgently, or said it comprehendingly, but not with the same unconscious sympathy.