Maldon |
I am very much focused on short stories of the Five Towns at present. There seems to be a rich vein of material which is unexplored by other authors, though some have touched on it. I think I am on to something. The Five Towns is a great place, full of plots. My father's reminiscences have livened me up considerably. I have also been working on a play, in collaboration with Arthur Hooley, called "The Chancellor". I can never tell if a play is going to do well or not; don't think anybody can until it is actually produced somewhere and even then it may not last.
This evening we stood on a bridge over the Blackwater at the bottom of the town. There was snow everywhere, a very keen frost, and a bright moon approaching the full. On either side of the river, the wharves and warehouses were silhouetted in deep tones. The tide was comig in and we could hear a faint continuous crackling, or mysterious rustling as the ice, constantly forming, was crunched and crumbled gently against the projecting piles of the wharves. We stood quite still in this silent town and listened to this strange soft sound. Then we threw tiny pebbles over the bridge and they slid along the surface of the river. The water froze in broad areas as it passed under the bridge.
We saw a very fat and aged woman walking home, very carefully. The road was extremely slippery and a fall would have been serious to one of her age and weight. To me she seemed rather a pathetic figure, balancing herself along ... And yet, if I have learned anything, it is not to be a spendthrift of pity. She would be all right.
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